![]() This current study is also intended to answer different matters on the Rejang Renteng dance, which cannot be separated from the dynamics of the development of the Balinese society which is changing in the current globalisation era. The question is why the Rejang Renteng dance has developed more rapidly than the other dance forms. The growth and development of the dance have been used as the icon of every Hindu religious activity in Bali, and also as an icon of different social activities. Apart from becoming a cultural product, it also functions as a social cohesion as it involves a significant number of dancers who are children, women, elderly people and the homemakers who become the members of an organisation known referred to as PKK (Family Welfare Education). ![]() This current study is intended to interpret a Balinese cultural product which has taken root in and connected to the Hindu religious system, namely the Rejang Renteng dance. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal. ![]() ![]()
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